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“Buffalo Bill” murders and skins numerous women to fashion himself a “skin suit,” “a literal invasion of other bodies.”[34] Differing from the source material, Bill finds erotic pleasure in his disguise, playing into the more archaic notions of crossdressing or “transvestism” as seen on page four.[35] Both films deal with themes of body possession, and psychosis, but most alarmingly, men parading as women to infiltrate and assault their most vulnerable spaces, with the most extreme case in Lambs being the body itself

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