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It’s the detail found in lesbian poet Valentine Ackland’s sad and compelling semi-memoir For Sylvia: An Honest Account , where she describes the youthful fashion in London for committing extravagancies: “I remember wearing a bare-backed, sleeveless bright green evening dress and screwing a horn-rimmed monocle into my eye, and walking down the steps into the Savoy Ballroom like that – at the age of seventeen – for a bet.” It’s selfish actress Maria in Daphne Du Maurier’s The Parasites absconding from family duties to take a boat trip through Paris with her brother, his “camel coat” worn over her green evening dress

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I’m a young man who made it out of the project of Brooklyn

gold embroidery and a sculpted ballgown silhouette.